by Megan Ellis
"Sojourner Truth Women's Rights Speech." Sojourner Truth and Women's Rights. 25 Apr. 2014.
Retrieved from <http://womenshistory.about.com/od/sojournertruth/ig/Sojourner-Truth/Sojourner-Truth-
and-Women-s-Rights.htm>
Retrieved from <http://womenshistory.about.com/od/sojournertruth/ig/Sojourner-Truth/Sojourner-Truth-
and-Women-s-Rights.htm>
This artifact is a rendering of Sojourner Truth, captioned
with a quote from her famous speech, "Aint I a Woman?" That speech, linked here at the Fordham University Modern History Sourcebook, was given at a Women’s
Convention in Akron, Ohio in 1851, though multiple accounts exist because no
version was ever directly transcribed or recorded. In the popular version of the
speech, Sojourner Truth argued that white men had no place to deny women,
because as a slave she endured the same work and punishments as men and
therefore deserved the same rights. Men wanted to treat women like dainty
flowers, but black women had been doing hard physical labor for hundreds of
years. While the term “womanism” wouldn’t be coined until over a hundred years
later by Alice Walker in her work In
Search of Our Mothers’ Gardens, Truth’s speech raises valid points about
including other attributes like race into discussions of gender equality, which
is brought up again in Toni Morrison’s novel Beloved.
In the novel, Sethe believes that the death of her children
is preferable to having them live in slavery, so she does what most would
consider unimaginable and murders one of her children, attempting the rest
before she’s caught. Sethe tries to split her identities as woman and slave in
order to protect herself from the mental anguish over a mother killing her
child, and others seem to encourage this behavior. Paul D remarks that Sethe’s
love for Beloved is dangerous because “for a used-to-be slave woman to love
anything that much was dangerous, especially if it was her children she had
settled on to love” (Morrison LOC 835). However, this separation is what brings
Beloved into 124, forcing Sethe to confront her demons. Embracing her womanhood
and, in this case, her motherhood, allows Sethe to reconcile the dichotomy of
slave and woman and merge them into a more complete identity.
Bernard Bell, a research professor at Penn State, describes
Beloved as a “womanist neo-slave narrative of double consciousness” that explores
black women’s “terribly paradoxical circumstances as people and non-people in a
social arena of white male hegemony” (Bell). This echoes not only Sethe’s
conflict with identity, but Sojourner Truth’s rally against the subjugation of
women caused by outdated and White-centric views. The caption above reads: “If
the first woman God ever made was strong enough to turn the world upside down
all alone, these women together ought to be able to turn it back, and get it
right side up again” (Truth).She speaks of all women working together in a
universalist fashion, rather than women working independently of each other to
further only their own aims.
Aspects of womanhood—as well as the double-consciousness of
identity as woman and not-woman, person and not-person—run throughout the
novel. As a black woman writer in the 1980’s, Toni Morrison was heavily
influenced by Alice Walker and the womanist movement. Are these instances
anachronistic and representative of the time period the book was written,
rather than when it was set? Or, as we have seen from speakers at the time like
Sojourner Truth, has intersectionality in gender equality been an issue for
hundreds of years? Sethe struggles with her societal position as ex-slave and
woman, and only alleviates her own guilt and turmoil by reconciling these
facets into one solid identity.
Megan,
ReplyDeleteAs I read our collective artifacts, and at last came to yours, I began to form a picture in my head of what sort of feminism Morrison may or may not have meant to imply in her novel. Although the issues of slavery and racial inequality are the obvious discussion points, the topic of gender discrepancies rides shotgun. The more I thought about it, the more I realized how many times women are shown as strong and independent, white or black, individually or collectively.
Individually, without her husband around, Sethe manages to get her children to 124 and to keep them out of slavery. Sethe remains on her own for the next 18 years until Paul D shows up. Although the symbol of the house has been used to represent female oppression, after her boys run away from home, Sethe lives there with no one but other women to keep her company: Baby Suggs, young Denver, and the infant spirit. A lifetime's worth of ages are represented in the house and the collective of womanhood keeps themselves going.
When Paul D comes in to "save the day" (as Kenneth put it in his artifact), Beloved tries to deny him his claim as a man of the house. Even Stamp Paid is psychologically "locked out" at one point, feeling unwelcome. By the time Beloved becomes a definite threat to Sethe, Denver goes out into her community for help and eventually it is the women who work together, as Truth suggests, to drive the now pregnant force out of 124.
"Anything dead coming back to life hurts" (42). Taken another way, Amy Denver's words to Sethe could refer to the struggle that women of all races would face and still face in trying to reclaim (with the same spite as a baby's venom) the power Eve so clearly demonstrated in Eden. Like Sethe's controversial choice in the shed, women have the dualistic capability of creating life and of ending it and as Paul D assures Sethe that she is her own "best thing," I can see the inherent feminist message in Morrison's (anti?) heroine.